首页.学术研究.重点提要
  重点提要

1.瑞宝阁藏金铜佛像研究 邢继柱

(八)清代康熙宫廷风格造像(17-18世纪)

康熙宫廷造像是继永宣宫廷造像之后的第二次巅峰之作,其造像是结合了明代汉地造像和西藏造像特点的基础上,形成了独特的艺术风格。本文介绍瑞宝阁收藏该时期金铜佛像。

The Buddha statue which made for the imperial palace under the reign of Emperor Kangxi of Qing dynasty reached the second climax of statue art after the splendid statues of Youngxuan palace of Ming dynasty. Based on the Buddha statues of both Han nationality and Tibet region, the imperial palace statue under the Emperor Kangxi developed its special art character. The paper introduced the Buddha statues collected at Ruibao Pavilion at that time.

2.千年谜梦化春雪 杨俊艳 张志忠

——邢窑的陶瓷艺术

北方邢窑烧制的产品,素有类银、类雪之称。上世纪80年代在河北临城、内丘发现多处窑址,出土了精美白瓷、唐三彩以及供奉用瓷等震撼了古陶瓷界。本文介绍其部分出土物。

The porcelains from Xingyao kiln which located in the north China was famous for the fine quality and the color as white as silver or snow. In the 1980s, some elegant white porcelains and trio-colored glazed pottery which excavated from Linchen and Neiqiu of Hebei province, had shocked the field of ancient porcelains. The paper introduced part of porcelains unearthed.

3.旅顺博物馆藏罗振玉印章考 孙传波

介绍旅顺博物馆收藏的近代古文字学家、金石学家罗振玉印章,该20方印章形象地反映了罗氏治印风格,是研究罗氏用印非常有价值的资料。

The paper introduced 20 seals of Luo Zhenyu who was ancient Chinese literal scholar and epigraphist, which are collected at Lushun museum now. These 20 seals reflected the way how Luo Zhenyu’s used seals.

4.贝格遮护法神信仰传播及神职初探 孙涛

贝格遮护法神是藏传佛教主要护法神之一。本文通过相关史料。对该护法的传播、神职进行初步探讨,并在文中对其名号和形象进行了介绍。

The paper introduced and researched on God Beigezhe of Tibet Buddhism

5.浅谈铜炉的把玩和保养 梁卓智

介绍个人收藏保养铜炉的经验。

The author shared the experience of collecting copper burners in this paper.

6.跌坐石坡寄闲情 葛金根

——嘉兴市博物馆藏张熊肖像画两帧

本文介绍浙江嘉兴市博物馆收藏的包栋《张熊肖像图轴》和江泰镛,费以耕《张熊画像轴》,并就两帧画的现状、题跋文字、收藏情况作还原分析。此外,又对参与创作的画家,两画递传过程中涉及的藏家作简要的介绍。

The paper depicted two portraits of Zhangxiong, one of which was painted by Bao Dong, the other by Fei Yigeng. Preface and postscripts, collection history and other participants were introduced in the paper.

7.苏州博物馆馆藏地理类善本掇要 徐钢城,茅艳

本文分别介绍苏州博物馆所藏地理类善本5种:《(弘治)昆山志》(稿本)、《(正德)姑苏志》、《(正德)兴宁志》、《震泽编》、《游志续编》。

The paper introduced 5 rare books collected at the Suzhou Museum.

8.坐起忽惊诗在眼 隔城青送数山来 张震

——学者朱剑心的学术及艺术

朱建新(1905-1967年),浙江海宁人,现代学者、书法家、诗人。本文介绍他平生学术、艺事、教育、著述等情况。

Zhu Jianxin (1905-1967), native of Haining of Zhejiang province, who was a famous modern scholar, calligrapher and poet. The paper introduced his academic life and works.

9.朱筠与乾嘉篆书 张俊岭

朱筠是乾嘉著名汉学家,对乾嘉篆书的兴起有开拓之功。本文通过对朱筠的学术观念与写篆行为、朱筠与写篆者的交游、朱筠对乾嘉篆书的影响三个方面的论述,以阐述朱筠在乾嘉篆书发展过程中所起的重要作用。

Zhu Yun, a famous sinologist of Qianlong and Jiaqing period, had a great contribution to developing seals scripts which is an important kind of writing styles. The paper described the his academic views, writing in seal script and communication with people who wrote in seal script argued that Zhu Yun had played an influential role in developing seals script.

10.清代东珠的采集与使用 李芝安

东珠是产自中国东北黑龙江/乌苏里江/鸭绿江等流域的野生河珠,质地圆润硕大,色泽晶莹,得之不易。清代对东珠的采集与使用均有着严格的规定。

Dongzhu was river beads produced in the Henlongjiang River, Wusuli River and Yalu River, the northeast China. Dongzhu was so rarely available with fine quality that it must be used according to the quite strict regulation in the Qing dynasty.

11.宋华亭义塾刻本张洽春秋集注的发现 李致忠

南宋理学家张洽著有《春秋集注》。此书一度成为举子必读之经,彻底扭转王安石谓《春秋》为断烂朝报的局面。目前存有临江军学本和华亭义塾本两种。辽宁省图书馆藏宋华亭义塾刻本有卫宗武刻书序,藉此不仅可辨此本渊源,还可确定国图/台北故宫藏春秋集注的版本情况。

Chun Qiu Ji Zhu written by Zhang Qia who was a famous scholar of Neo-Confucianism of Southern Song dynasty, had ever been the compulsory book for the examinee. By far, the book has two kinds of edition: Linjiangjunxueben edition and Huating YIshu edition. The paper introduced the Chun Qiu Ji Zhu of Huating Yishu edition which had the publish preface by Wei Zongwu collected at Liaoning Library.

12.唐代薛府君墓志盖小考 鲁晓帆

北京姚家井薛府君墓出土的唐代汉白玉人身兽首十二支神石刻立像,按北、东、南、西四面顺时针按相属排列,合乎我国古代“子北午南”的传统理论。根据薛府君墓盖铭文并结合其他北京史料证据可判断唐幽州城的南垣在今天北京姚家井迤北白纸坊东西街一带。

12 stone statues with animal heads and human bodies made of white marble which excavated from Xue Fu Jun tomb of Yaojiajin in Beijing, were arranged clockwise from the north which suited to Chinese traditional idea of “Zi (one of twelve Earthly Branches which was Chinese system for reckoning time.) represented the north and Wu represented the South”. In addition, according to the inscriptions of Xue Fu Jun tomb and other historic evidence, the author estimate the south wall of Youzhou city of Tang dynasty was located along Yaojiajin to Baizhifang area of Beijing.